The third in the series, and I sat on this one for a long time. There were some technical difficulties towards the end, such as in making the monster’s appendages persuasively symmetrical (working anatomically and compositionally). If I share an earlier version, you’ll understand why. Below you can see I’d drawn in a couple appendages…
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This kind of piece stands on its own, needs no placard, no description, no interpretation, no translation, no perusing a CV, no background or context, and no assaying the significance of the biology of the artist. The only reason to read any further is if you are curious to know more. Sometimes it seems like…
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It’s just a wee bit odd to propose this as the first in a new series, as this is a core example of the type of art I do going back decades, including the technique (though I used to do this in charcoal). Let me just dredge up one of those real quick. The reason…
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One of the good things left about the Internet and social media is that we can still discover artists we appreciate on our own, before they become popular. Amy Regutti (a.k.a. “spacethrob” on Instagram), with her deceptively simple, brightly-colored, and peculiar paintings of mannequin-like, animated figures is one of the more unique artistic voices I’ve…
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I’ve been picking away at this one for a while, abandoned it a couple times, and finally finished it. It was more difficult than my prior piece for this series (below), and the main difference is just that I used a smoother brush. The smoother brush is more technical and demanding in terms of rendering…
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This is a style of B&W drawing I return to again and again. Not only have I done at least 10 using the same approach recently, I used to use the same technique for charcoal drawings 25 years ago. The procedure is super simple and direct, and it relies entirely on my imagination, memory, and…
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Hi kids. It’s your Uncle Eric. I’m back with another image in this series, and I know you’ve been dyin’ t’ see it. If you don’t know, all of these digital paintings are based on my humble visage after feeding it through the ever popular neural network that is Faceapp. Now, your uncle has been…
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Because I find some of the most striking visual art when prowling through people’s Instagram posts. @charlieimmer Don’t be deceived by the comically horrific subject matter, this is a serious and sophisticated achievement in fine art painting. Just stop and notice how the artist — Charlie Immer — has negotiated illusionistic three-dimensional space. Look at…
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Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling.~ Alfred Kubin (upon seeing prints by Max Klinger). If this work from 1903 doesn’t seem really weird to you, and in a good way, with its bizarre crab fishing babies out of…
Read MoreYup, this is #45 of images all made from my imagination, and unpremeditated. And this means there’s a lot of subconscious influence. I don’t know that I would have deliberately thought of that weird, striped creature, who is striped or entwined by snaky coils, depending on how you look at it. It’s also bending forward,…
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I did this in one shot, and just used my laptop microphone, so the sound quality is not as good as I’ve done in the past. But I cover the main points, and there are some good ones in there. And now I want you to look at this shit: Occasionally I get somewhat dejected…
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Dear Readers: Here’s my latest creation, and I’m having so much fun with this style. It’s a way of working I started decades ago, but which was beaten out of me, metaphorically speaking, in art school. If I were in art school today I don’t think I could get away with churning out this sort…
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Don’t worry my discerning fans, the title is humorous. I don’t think we descended from an alien/ape hybrid. Well, not, y’know, like an alien named Enlil, who was an Ananyaki space commander from planet Nibiru, came and inseminated a bunch of chimps in order to create a hybrid slave force to dig for gold. I…
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There are some barely visible images in there. You may even find things in there that I don’t see. Here’s all 37 pieces in the series so far in a slide show. Or, if you prefer, you can see them in a click-through gallery: To see other posts about other pieces in this series, go…
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Notice the man looks like he’s carved out of wood and that if you look in the fire you will see things yourself. There’s an obvious scary head in there, for starters. Just wanted to mess around with a sort of charcoal-looking drawing technique, which brings me right back to my charcoal drawings from the…
Read MoreHere are 39 aliens, monsters, and robots (and an android or mutant or two…). I don’t consider myself a sci-fi artist, but these are all sci-fi creatures with a fine art sort of treatment. You an watch the slide show or click in the gallery below it. I recommend watching the slide show through once!…
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This is a sketch of an alien head for a new series I’m starting. I’m planning all aliens for the next few months. We’ll have to see if I stick with it. The series is unified around the topic, not the medium or style, so allows for stylistic variety. There’s a lot more to it…
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In this image I just went about it by making lines in black and white and goring over them and seeing what emerged, but keeping in ambiguous and not trying to make it into anything concrete. The foreground and background shift, and there are overlapping and intersecting parts. If you look at it for a…
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The previous 4 pieces I did were digital impasto, and incorporating some 3D modeling. For a little break I decided to do something only using drawing. For this kind of drawing, of which I’ve done several in this series, I just use one brush in Photoshop, and I switch between black and white. It allows…
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Impasto liquid metal paint. Notice how some brush strokes carve into the Android head. If you don’t know my work, this is digital. This is a new direction I’m exploring, and you might expect some more offerings in a similar vein. The technique is something I’m developing on my own and can be a little…
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