This video expands on clips of art critic Robert Hughes critiquing two of Damien Hirst’s works in the documentary “Mona Lisa Curse,” which has been removed from YouTube under the pretext of copyright infringement. All such segments from the documentary have also been removed. I’m able to get around that by using heavy and creative editing…
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The reason I made this video is that I discovered that the infamous clip of art critic Robert Hughes saying that Andy Warhol was “stupid” could no longer be found on YouTube.
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These days, the art marketplace writes art history, and what is best for the profit margin of the top buyers and sellers is not necessarily faithful to what is true, best for art, or conducive to understanding art, artists, reality, or each other. Au contraire, and in spades. The legend of Vincent’s extreme psychological distress—the…
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Since the discovery in 2016 of a doodle made by Dr. Felix Rey ostensibly illustrating what portion of Van Gogh’s ear was removed, virtually every art critic, historian, and institution, including the Van Gogh Museum, now maintains that Vincent sliced off the entirety of his ear. If, like me, you “didn’t get the memo,” you…
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This one’s a beauty. The video is more about the destructive impact art history has had on art than it is about Pollock, but even Pollock haters should appreciate the aesthetics of his work as I’ve showcased it.
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This video combats the often-repeated argument that AI is just a tool when it comes to making AI art, and the real art is “the idea”.
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My latest video. This one’s more straight-up art history, but with some significant observations and analysis that are all my own and you won’t find anywhere else.
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The video by one of the best art YouTubers showcases several of my best pieces.
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“The Last of England” by Ford Madox Brown is not only a super-crisp, vivid image that perfectly captures the sensations of being in a small boat tossed about at sea. It is a tragic self-portrait of the artist, his wife, and their baby, leaving England never to return, hoping to find better prospects in some distant land.
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AI may sour people to art that has anything to do with machine learning or processes, and cause a renewed appreciation of physical art.
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There is no excerpt because this is a protected post.
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My new video argues against the demand that artists work in a single signature style for most or all of their careers. Jam-packed with hi-rez art, including 25 of my pieces in 25 styles.
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This pressure to stick to one avenue of expression, and the exclusion of stylistic innovation, serves to choke artists’ creativity, and contextualizes them as craftspersons making pretty baubles for the marketplace.
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Through whatever alchemy, Margaret Keane turned her personal tragedy into painterly kitsch that managed to transcend itself.
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This is a re-blog of one of my most popular posts, which I am doing largely because people have notified me that they have difficulty finding it on my blog, though somehow they’re become aware of it. My views haven’t changed substantially since I wrote this, not because I haven’t changed, but because my views…
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I take apart the institutional story of art which I was also indoctrinated into through graduate art school, and offer a more broad, human, complex, and even progressive alternative. This article will help you see through the BS that permeates much of contemporary art theory, and which is used to devalue imaginative visual art and to undermine the great art of the past.
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A hyperbolic rant against AI art.
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The cringe-worthy legacy of celebrity, cheese-filling art critic, Jerry Saltz. I marvel at the fact that for some reason, mysterious to me, people take Jerry Saltz, art critic of New York magazine, seriously. The best I can come up with is that among the most famous living art critics, his name is easier to spell…
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The crumpled paper above is not art, even if it was put on a pedestal, and under glass, and exhibited in a museum. And that’s OK. You can handle it. In the case of Martin Creed’s crumpled paper, it’s not art, it’s bullshit. However, there can be all manner of endeavors that are skilled, intelligent,…
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This is an important distinction, and the art world has placed so much more value on information than texture over the last century that texture has been banished to the periphery when discussing art. I recently watched a video about Kara Walker’s monument, Fons Americanus, and while the narrator analyzed how it quotes and challenges…
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Dirk Bouts’ painting “Fall of the Damned” is a masterful conjuring of hell. Post contains extreme details.
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This is the second video in my Abominable Ideas in Art series, and based on a group of articles I wrote a few years ago. Here I tackled the ubiquitous and self-righteous notion that all art is political. People assume this is a progressive idea, but because it places art (all art and art history]…
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Over the last week or so YouTube’s algorithm, or perhaps whomever manipulates it, eased off the stranglehold on my videos. New comments and subscribers started to trickle in after weeks of silence. And so, I thought, perhaps it wasn’t a waste of time after all. I also noticed that people have watched over 3,000 hours…
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You’re forgiven if you never heard of her. I never had either until an artist colleague emailed me an excerpt from her book, The Fraud of Contemporary Art. Almost everything by her and about her is in Spanish because she’s a Mexican art critic. Her biggest claim to fame is accidentally destroying a work of…
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New trailer for my feature length Salvator Mundi documentary
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A picture can be worth a thousand words, and save me the time of typing them up. The first image is from Wikiart’s section on Francois Morellet, below. And the second image is from Damien Hirst’s own site: Borrowing ideas wholesale is radical!
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The truth, I like to say, is moderately simple, but lies must be elaborate. If you don’t agree with the conclusions of obtuse art theory, than, frankly, you are presumed intellectually and possibly morally inferior. Insults will flock towards you like mosquitoes when your evening walk meanders too close to the swamp. Obviously you know…
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The video focuses on the fact that the big name art stars make art, not for their artists peers, or even for themselves, but rather for the billionaire buyers who they think are suckers waiting to be fleeced. This art, further, is coming out of the Duchampian, anti-art, appropriationist tradition, which incidentally allows artists to churn out bigger and slicker products, faster, and get them into the marketplace for the purposes of speculation and moving money. Quite naturally, art made to sell fast to suckers with millions in disposable income doesn’t appeal to artists and connoisseurs who love art for its inherent qualities.
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Art & Crit by Eric Wayne 
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