Signature Style

I’ve worked in a lot of styles over the years, and invented several. I have not made a concerted effort to develop one style, preferring to explore a full range of possibilities. Consequently, some people think I don’t have a style of my own. Here are 52 images which share that they are created 100%…

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New Art: Kiss of Death

I do this sort of art sometimes when I need a break, don’t feel like studying, learning programs, looking at references, grappling with AI, modeling, or making sketches. In short, I feel like making art, but I don’t feel like “working”. It’s a lot like doodling, or just picking up a guitar and playing without…

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9 Years

I just got this today. Waddaya know? It’s been that long. I guess 10 years something’s gonna’ happen. I think they could have added “and all I got was this crummy sticker” on the bottom. I want a mug. I have a professional account and everything. I pay extra so y’all don’t have to look…

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Better Call Saltz (or not)

The cringe-worthy legacy of celebrity, cheese-filling art critic, Jerry Saltz. I marvel at the fact that for some reason, mysterious to me, people take Jerry Saltz, art critic of New York magazine, seriously. The best I can come up with is that among the most famous living art critics, his name is easier to spell…

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New Video: ‘The Fall of the Damned”, by Dirk Bouts (1470): a Masterful Conjuring of Hell

A hi-rez, in-depth dive into one of the most gruesome and virtuoso paintings of hell by an old master painter. BEWARE: Extreme Details! Halloween 2021 appropriate. Dirk Bouts painted “The Fall of the Damned” in 1470, 20 years before Hieronymus Bosch’s “Garden of Earthly Delights”. This is a spectacular, underrated, and obscure painting that deserves to be appreciated as a masterpiece of the late Middle Ages and the Northern Renaissance, and of all time. I discovered this painting on my own, and took it upon myself to share it with you. There is no other YouTube video about this painting, and no other video period. I trust my own eyes.

The video also explores paintings of Hell by Hieronymus Bosch, Hans Memling, and Rogier van der Weyden.

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New Art: High Pressure

Woke up this morning with an idea for an experiment using Blender, and this is the outcome. It combines elements of organic modeling (the face), hard surface modeling (everything else], and scene building, though that’s relatively minimal here. One of the good things about Blender is once you create something you can re-use it in…

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My new video explains why so much contemporary art sucks

The video focuses on the fact that the big name art stars make art, not for their artists peers, or even for themselves, but rather for the billionaire buyers who they think are suckers waiting to be fleeced. This art, further, is coming out of the Duchampian, anti-art, appropriationist tradition, which incidentally allows artists to churn out bigger and slicker products, faster, and get them into the marketplace for the purposes of speculation and moving money. Quite naturally, art made to sell fast to suckers with millions in disposable income doesn’t appeal to artists and connoisseurs who love art for its inherent qualities.

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Another Alien

This alien is just the result of going through a tutorial and taking it in my own direction. I’m doing several organic sculpting tutorials in order to see how different artists approach the medium, and picking up which techniques work best for me. Here’s the tutorial I was going off of I gave my alien…

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Beware of this SCAM!

I just got a notification in my Yahoo email account that there’s an updated user agreement, and I need to log in to “accept” the new conditions to continue to use the service. OH NO! I BETTER DO THAT RIGHT AWAY BEFORE IT’S TOO LATE! Wait a second, I’m already logged in, or else I…

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WIP, with an alien in a landscape

Quite a departure from my last work, this one’s much more illustrational, sci-fi, and I’m going about it in a more traditional/methodical (as pertains to digital painting) approach. A major difference is that the last piece was all about the painterly impasto techniques, and this one has none of that. It shows promise, but it’s…

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