It’s a bit muted right now because I haven’t added any lighting or shading. There’s only a line drawing, with flat color under it. I made it more complex by varying the colors of the sticks that make up our stick figure. That helps to delineate which sticks or branches are which. Incidentally, the ability…
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In my last post I shared a method for brainstorming ideas for creatures, and my theme was bat people. I’d made 9 thumbnail sketches, which you can see again below. I combined these to make 7 new variants, and then narrowed it down to the following four: I’d decided that the bat people I saw…
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I’m working on developing a bat-person for the next of my more illustrational images, like my Ant Man. Normally, at least up until recently, I’d only do one drawing, and just have at it until I was finished. There’d be tons of editing, tweaking it out, and learning from mistakes, trial and error. But I’d…
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Poor Mr. Bat. This was intended as a quick experiment in my ongoing exploration of digital impasto. To my knowledge I have the unique, and completely unrecognized distinction of being a pioneer in achieving digital impasto effects. I’ve used several different programs and combinations thereof to accomplish the results, and it’s usually not in a…
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Finally completed, and it was as much of a battle creating him as he looks like he’s a veteran of. I used lots of new techniques which I’ve learned from professional illustrators, and incorporated into my own arsenal of digital and painting techniques. This is as far as I could take the image with my…
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#21 – Dr. Cataract #21 is the twenty-fifth portrait in a series of 31 self-portraits as other versions of myself in different lives. This one took a sci-fi direction. The result is a unique, surrealist, sci-fi, mutrant man, perhaps a victim of his own medical or scientific experiments gone awry. I made this one shortly…
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What a difference rim lighting can make in a hyper-realist image. This is the first time I’ve really attempted this technique, and it took a lot of tinkering to get a result I was satisfied with. Rim lighting is a technique illustrators and other artists borrow from cinema. You have your main light source —…
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#22 – The End Came Swiftly A sci-fi digital impasto painting reinterpreting the end of The War of the Worlds, when the Martian ships fall because of exposure to the bacteria in the Earth’s atmosphere. The image falls between representation, traditional oil painting, and abstraction. The atmosphere, textures, composition, and feel are more important…
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In the continued creation of a hyper-realistic monster, I reached the stage where one overlays textures onto the body. For my fellow Photoshop nerds, you take a picture of a texture, put it on its own layer, lower the opacity to around 30%, and tweak out the exposure so the texture looks like it’s on…
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It’s over 10 days since my last update on this piece in progress, and it might not look like it’s that different, but I logged in over 20 hours of work on small changes. The deal is that I’m improving my skills at realism while executing this, so there are areas I keep working over…
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Here he is again, and more rounded out. The initial line drawing (see below) has completely disappeared, and now all the shapes are defined via shading. I made his flesh more uniformly grey green, and I’m liking the deeper orange for the irises (the eyes are definitely not done). I’m NOT done with shading, highlights,…
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Some people make their digital paintings in very logical stages. That has tended to not be me, except on some occasion. I’m, or have been, much more the artist that just starts experimenting, sees what happens, and rides the wave in. But, uh, to get to some next level shit, sometimes an artist has to…
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Can you guess which one is my version? Have a look, and you can find out if you were right down below. If you don’t know already, I have a contemporary art / fine art background, and have been making digital art starting around 20 years ago. I’ve given up on the contemporary art world,…
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These are just curiosities for entertainment, folks. You aren’t meant to assess them as serious works. They’re my kid stuff! When I was growing up my favorite things were sci-fi shows I could see on TV, frogs and lizards, and drawing (not to mention girls). Fortunately, I had the foresight to document most my early…
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I reached into the archives to retrieve these horrible classics (not for the little kiddies, though). Feel free to share, print, decorate, worship, & whatever: The Human Fly: Alien Autopsy: Awakening Upon Death of the Bride of the Creature: The Agony and the Extraterrestrial: Golgolon: Monster Maiden #1 Monster Maiden #2 The Giant’s Den: Now…
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Artists can make whatever kind of art they want, and it’s totally legit. I’m all for it. It mostly just comes to good or bad examples of the kind of art in question. People might think that because I am pro-visual art, and because I criticize certain conceptual works, that I am against conceptual art…
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Each entry in my Top 25 will have: a descriptive paragraph. a sentence or two about why I chose it. one or more close-up details. a link to my original post about the work. thumbnail gallery with all artworks included so far. prints for sale. Links for all previous entries. a poll for picking your…
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Each entry in my Top 25 will have: a descriptive paragraph. a sentence or two about why I chose it. one or more close-up details. a link to my original post about the work. thumbnail gallery with all artworks included so far. prints for sale. Links for all previous entries. a poll for picking your…
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The third in the series, and I sat on this one for a long time. There were some technical difficulties towards the end, such as in making the monster’s appendages persuasively symmetrical (working anatomically and compositionally). If I share an earlier version, you’ll understand why. Below you can see I’d drawn in a couple appendages…
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One of the oldest techniques I use to invent imagery is to just make a bunch of marks and see what I see. I sometimes make a bunch of thumbnail sketches, and then choose whichever one inspires me at the moment. I made about a dozen thumbs before making my most recent piece (above right…
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This kind of piece stands on its own, needs no placard, no description, no interpretation, no translation, no perusing a CV, no background or context, and no assaying the significance of the biology of the artist. The only reason to read any further is if you are curious to know more. Sometimes it seems like…
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It’s just a wee bit odd to propose this as the first in a new series, as this is a core example of the type of art I do going back decades, including the technique (though I used to do this in charcoal). Let me just dredge up one of those real quick. The reason…
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This is the 2nd piece in my new series. If you are one of my perspicacious fans, you’ll have seen this before, but it’s a larger, revised, impasto version, which will be more evident in the close-ups. The original is below: I could have probably done with just touching up the original, but I wanted…
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This might seem an unexpected departure from my self-portrait series (I’m taking a break from it), unless you already know me or my blog, in which case you might think, “Here we go again!”. I’ll grandfather in (not sure if that’s the right term here, but you get the idea) several pieces that fit nicely…
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One of the good things left about the Internet and social media is that we can still discover artists we appreciate on our own, before they become popular. Amy Regutti (a.k.a. “spacethrob” on Instagram), with her deceptively simple, brightly-colored, and peculiar paintings of mannequin-like, animated figures is one of the more unique artistic voices I’ve…
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I’ve been picking away at this one for a while, abandoned it a couple times, and finally finished it. It was more difficult than my prior piece for this series (below), and the main difference is just that I used a smoother brush. The smoother brush is more technical and demanding in terms of rendering…
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This is a style of B&W drawing I return to again and again. Not only have I done at least 10 using the same approach recently, I used to use the same technique for charcoal drawings 25 years ago. The procedure is super simple and direct, and it relies entirely on my imagination, memory, and…
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Hi kids. It’s your Uncle Eric. I’m back with another image in this series, and I know you’ve been dyin’ t’ see it. If you don’t know, all of these digital paintings are based on my humble visage after feeding it through the ever popular neural network that is Faceapp. Now, your uncle has been…
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