She’s coming along. Since my last post I’ve painted some large branches in the middle background, and some lighting and shading. There’s lots more to do, including adding texture to the branches to make them more convincing. Near the end I paint over whatever I want, and however I want, but right now I’m working…
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It’s a bit muted right now because I haven’t added any lighting or shading. There’s only a line drawing, with flat color under it. I made it more complex by varying the colors of the sticks that make up our stick figure. That helps to delineate which sticks or branches are which. Incidentally, the ability…
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This is another exercise in lighting, shading, modeling, anatomy, perspective, work-flow, and when working from the imagination. I also intended it as a work of art, but working within certain parameters, and with a given objective in mind. My followers know I like to compare digital painting to MMA, in which case in order to…
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This started out as an exercise in lighting, shading, and workflow, but it ended up being an artwork I’m proud of. A lot of the techniques and procedures I employed I got from a digital painting course by veteran Disney animator, Aaron Blaise. The initial drawing and the character design are all my own. If…
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Almost finished. It finally occurred to me to look at the image in B&W to see how my lighting and modeling is without the distraction of color. Not bad. It looks more like a digital sculpture than a drawing, which is what it is. I’ve still got some detailing to do, and other modifications. Should…
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The eyes have been really difficult. I changed the colors, the shape, added veins, a highlight, and ridges on the bottom lids. What makes them so hard is largely the ornate bat nose which bisects one eye. I want partially obscured eye’s pupil to show, but getting it to line up with the other eye…
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The rim lighting is difficult for me, and almost seems perfunctory. It’s a sort of cheap trick often used in comics. But it is also a really effective way to articulate form in shadow, which works for this sort of subject. Note that I’m not an expert at this, I’m learning it as an exercise,…
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This stage is all Photoshop. I’d almost consider it cheating if it weren’t such a pain in the ass to pull off; if I weren’t going to paint over it; if I hadn’t done everything by hand under it; and if this weren’t an exercise using professional digital painting for illustration techniques. Here, one has…
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The much more clever way to do shading is to make a 3D model, and then move the light around to find the perfect angle. But doing it the clumsy, old fashioned way is good practice, and this piece is just about honing my skills. The shading made the bat lady more 3D, but it…
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Think I’m gonna’ go for blue skin with pink details, yellow-orange irises, and a dark red/purple ball of the eye. It’s a bit saturated right now, but after I add modeling, lighting, shading, and texture, it should be pretty cool. The gif animation has nothing to do with it. It’s just a snappy way of…
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After taking nearly two months off this piece in order to finally finish my SFAU series of 36 images, I finished the line drawing stage. I used my orignal, front on, concept sketch to create a 3D version. The hardest part was the weird, ornate nose. Very difficult to place it so it comes out…
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If you missed SFAU#35, see below: If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app, FaceApp — then edited and painted using various programs. None of the people actually…
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If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app FaceApp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
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[This is a re-post of an article from two-years ago which I’d forgotten I’d written, but rediscovered while looking for one of the images in it. I defend the notion of the spiritual in art in a hardball, rational and reasoned, fashion with no reliance on superstition, religion, or any variety of feel-good, wish-washy, wishful…
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If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app FaceApp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
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SFAU #33 was based on #30, as you can see in this morph. I’m hoping sharing morph pairs helps people get into the series, though usually I’ll share them on IG rather than here. Just a little thing I can do to help people get into my work. That’s all. Unless you’re interested in some…
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If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app FaceApp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
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An examination of Michael Kerbow’s dinosaur paintings in his “Late Capitalism” series.
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If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app Faceapp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
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I’m not accepted as a blue-chip artist, and there’s every indication I never will be. ~ Robert Williams. The best thing about Robert Willams is his paintings, but he’s also a likable fellow if you aren’t predisposed to dislike his type as much as the blue-chip art world turns its nose up at his art.…
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An obscure artist was discovered, and quickly shelved. These days most people in the established art world see art through the lens of politics, social issues, obtuse philosophy, rarefied art theory, and radical ideology. It took outsider, underground types of artists, cartoonists, and collectors — the variety the contemporary art cognoscenti turn their noses up…
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I am the least constant, most confused person outside my safe rectangle of canvas. Safe because it is mine, my world, my rules, my flat Earth. ~ Steven Beercock. Seeing his work is like finding your uncle’s paintings in a shed; then noticing how weird they are and how eccentric he is; and then slowly…
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Poor Mr. Bat. This was intended as a quick experiment in my ongoing exploration of digital impasto. To my knowledge I have the unique, and completely unrecognized distinction of being a pioneer in achieving digital impasto effects. I’ve used several different programs and combinations thereof to accomplish the results, and it’s usually not in a…
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Finally completed, and it was as much of a battle creating him as he looks like he’s a veteran of. I used lots of new techniques which I’ve learned from professional illustrators, and incorporated into my own arsenal of digital and painting techniques. This is as far as I could take the image with my…
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#21 – Dr. Cataract #21 is the twenty-fifth portrait in a series of 31 self-portraits as other versions of myself in different lives. This one took a sci-fi direction. The result is a unique, surrealist, sci-fi, mutrant man, perhaps a victim of his own medical or scientific experiments gone awry. I made this one shortly…
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More thoughts after days of ruminating on this topic, and various challenges to my arguments on my blog and elsewhere. Note that if you disagree with me, or have in the past, that’s perfectly fine. I’m more interested in understanding reality than I am in being right. If I were to suddenly switch my pro-free…
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What a difference rim lighting can make in a hyper-realist image. This is the first time I’ve really attempted this technique, and it took a lot of tinkering to get a result I was satisfied with. Rim lighting is a technique illustrators and other artists borrow from cinema. You have your main light source —…
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#22 – The End Came Swiftly A sci-fi digital impasto painting reinterpreting the end of The War of the Worlds, when the Martian ships fall because of exposure to the bacteria in the Earth’s atmosphere. The image falls between representation, traditional oil painting, and abstraction. The atmosphere, textures, composition, and feel are more important…
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