It used to be that we would say that a work of art was pretty good for AI. From now on we will say that it is pretty good for a human.
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It used to be that we would say that a work of art was pretty good for AI. From now on we will say that it is pretty good for a human.
Read MoreThere is no excerpt because this is a protected post.
Read MoreQuite a departure from my last work, this one’s much more illustrational, sci-fi, and I’m going about it in a more traditional/methodical (as pertains to digital painting) approach. A major difference is that the last piece was all about the painterly impasto techniques, and this one has none of that. It shows promise, but it’s…
Read MoreMy latest art work, and how it relates to the work of Francis Bacon.
Read More[written in one sitting as fast as I could because I got a guest coming. Note, my Xmas was fine. Enjoyed the vintage Americana I indulged in, from listening to classic Xmas tunes, to watching “It’s a Wonderful Life” for the first time, and spending it with my wife, etc. Here, I’m talking about the…
Read MoreAfter a long yawn, I can sum up my reaction to the launch of the cards, the artwork, the content, and the fact that they sold out in a day with one word: Derp!
Read MoreMy new video argues against the demand that artists work in a single signature style for most or all of their careers. Jam-packed with hi-rez art, including 25 of my pieces in 25 styles.
Read MoreThis pressure to stick to one avenue of expression, and the exclusion of stylistic innovation, serves to choke artists’ creativity, and contextualizes them as craftspersons making pretty baubles for the marketplace.
Read MoreThere is no excerpt because this is a protected post.
Read MoreA concise review of the 2 classic nuclear aftermath films, with live links where you can watch them now for free and without signing up for anything.
Read MoreThrough whatever alchemy, Margaret Keane turned her personal tragedy into painterly kitsch that managed to transcend itself.
Read MoreThis is a re-blog of one of my most popular posts, which I am doing largely because people have notified me that they have difficulty finding it on my blog, though somehow they’re become aware of it. My views haven’t changed substantially since I wrote this, not because I haven’t changed, but because my views…
Read MoreI take apart the institutional story of art which I was also indoctrinated into through graduate art school, and offer a more broad, human, complex, and even progressive alternative. This article will help you see through the BS that permeates much of contemporary art theory, and which is used to devalue imaginative visual art and to undermine the great art of the past.
Read MoreThis is an old post I am re-sharing from Feb, 2015, that fell through the cracks. I made 15 artists into cyclopes [and that is the corrected spelling of the plural of cyclops].
Read MoreA new digital painting collaborating with AI, and of a creature sitting in a train or bus.
Read MoreArt is the last hope of humans to not be eclipsed by AI, because it is a form of communication based on the predicament of our shared humanity, and requires consciousness, feeling, empathy, caring, and intent. But can digital super-intelligence fake it? It looks like it can.
Read MoreA hyperbolic rant against AI art.
Read MoreNew AI poses an imminent existential threat to artists, especially if it has direct access to their art.
Read MoreDoing more of these is partly just an excuse to try out something new, or add something to the brew. There are a few new elements I mixed in that didn’t appear in prior pieces in this series. Can you guess what they are? Have a look at all 8 below. The piece was entirely…
Read MoreI was only going to make 6, but I wanted to try an experiment, and so now we have 7. I have a couple more experiments I want to do, so I’ll probably push it to 9. And that’s a bit better for a series than 6. This one’s very bright, colorful, and outdoors. That’s…
Read MoreThe cringe-worthy legacy of celebrity, cheese-filling art critic, Jerry Saltz. I marvel at the fact that for some reason, mysterious to me, people take Jerry Saltz, art critic of New York magazine, seriously. The best I can come up with is that among the most famous living art critics, his name is easier to spell…
Read MoreThis image ends the series of 6. Here is the entire series. And here are a few details. I could say a lot more, but for tactical purposes, I’m just going to let the work stand on its own for now. I made this series for the NFT marketplace, and, well, it didn’t get any…
Read MoreThis is one of my favorite works I’ve produced. It’s a tour de force of “painterly” digital painting [using techniques I developed]; addresses art history and the human condition; is an homage to Francis Bacon; and continues the tradition of modernist figurative painting into the digital era.There’s also quite a story behind this, which you…
Read MoreOne of the most common and least interesting questions one is routinely asked is, “What’s your favorite color”. “Who gives a shit?” would for much of my life have been an appropriate enough answer. That’s before I became obsessed, and there was no question. Up until a very specific point, my favorite color was red.…
Read MoreI’ve sat on this story for a month because it is so unpleasant for me to discuss. However, I have to analyze this, and defend myself, because if I don’t, it may come back to haunt me. But first I must confess something. I compared someone’s abstract painting to an abstract painting made by a…
Read MoreIf you haven’t see the first three, here’s a gallery with all four: If you read my last post, you have a good idea what this series is about. I got some really good comments on it, too, here and on Patreon. I was heartened to discover that people got it on their own, and…
Read MoreThe third image in this series of digital portrait paintings for the digital age.
Read MoreThis is the second in this series of portraits for 2022, and directed toward the digital art NFT community. No, it is not a self-portrait. The faces I’ve used so far are ones I generated using AI. Usually people manipulate the algorithms to create unrealistically beautiful, unbelievable, and fashionable people, but I wanted to explore…
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