The droid-ship is back. You might remember it from months back. I spent forever creating it, and put it in a few short animations, but never really did a definitive image or two or three to show it off. These aren’t that either, necessarily, as they are more studies or experiments. I didn’t pose his…
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Anything you can find in Google maps satellite mode, and that has 3 dimensional elements, can be captured, converted, and opened in Blender. For this experiment, I chose Notre-Dame in Paris. There’s a wee bit of hacking, and you need an additional program plus an add-on, but then it all works alright to get it…
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Woke up this morning with an idea for an experiment using Blender, and this is the outcome. It combines elements of organic modeling (the face), hard surface modeling (everything else], and scene building, though that’s relatively minimal here. One of the good things about Blender is once you create something you can re-use it in…
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My tweaked results of a Blender Tutorial by Ryan King.
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Here are some quick studies I made using Blender’s native ocean and mountain creating properties. The program did 95% of the work here. I did the rest. Once I figured out how to do it, it took just minutes to come up with new versions. I got put off of 3D for a while after…
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Lots of monks are out doing their daily alms at 6:00 a.m., when I hit the pavement. I don’t get in their faces for Nat Geo style photo ops. I keep a respectful distance. But I do feel a wee bit of comradery when out for a morning escapade. And then there’s the shop-owners and…
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You’re forgiven if you never heard of her. I never had either until an artist colleague emailed me an excerpt from her book, The Fraud of Contemporary Art. Almost everything by her and about her is in Spanish because she’s a Mexican art critic. Her biggest claim to fame is accidentally destroying a work of…
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New trailer for my feature length Salvator Mundi documentary
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This is a kind of relaxing work I like to do. Just start drawing with one brush, and mostly on one layer, in Photoshop. Completely unpremeditated. See what emerges. It’s a little like doing a puzzle. I did this a couple weeks ago, but haven’t been sharing much because I had a big move across…
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It’s finally here, after months of work. It’s coming in at 2 hours and 24 minutes, which I would not have even thought was possible in the beginning. You’d think that means I just ramble on endlessly, but it’s highly scripted for most of it, and tightly edited. It follows a very logical progression, covering…
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Followers of my blog may wonder what the hell happened to me. Well, I’ve been working hard on this feature-length art documentary, including, among many other things, my own recreation of the Salvator Mundi. I decided to share with you some custom graphics I made on the fly. Anyone who grew up watching Star Trek…
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My version of the Salvator Mundi makes the shortcomings of the supposedly authentic da Vinci painfully evident, and in plain sight.
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My digital restoration of the Salvator Mundi makes a visual argument as to why the physical restoration is not representative of Leonardo’s hand.
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A picture can be worth a thousand words, and save me the time of typing them up. The first image is from Wikiart’s section on Francois Morellet, below. And the second image is from Damien Hirst’s own site: Borrowing ideas wholesale is radical!
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The truth, I like to say, is moderately simple, but lies must be elaborate. If you don’t agree with the conclusions of obtuse art theory, than, frankly, you are presumed intellectually and possibly morally inferior. Insults will flock towards you like mosquitoes when your evening walk meanders too close to the swamp. Obviously you know…
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The video focuses on the fact that the big name art stars make art, not for their artists peers, or even for themselves, but rather for the billionaire buyers who they think are suckers waiting to be fleeced. This art, further, is coming out of the Duchampian, anti-art, appropriationist tradition, which incidentally allows artists to churn out bigger and slicker products, faster, and get them into the marketplace for the purposes of speculation and moving money. Quite naturally, art made to sell fast to suckers with millions in disposable income doesn’t appeal to artists and connoisseurs who love art for its inherent qualities.
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Artists are among the least satisfied by what the blue-chip art world is churning out, and there’s a simple reason why. I’ve known for decades that thousands of dot paintings, for example, couldn’t hold an artist’s attention; and if you’d seen one, you’d seen them all. There’s the old notion of being an artist’s artist,…
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If you watched my last video, you know what this is all about. I’ve been very critical of the status of the Salvator Mundi as an authentic da Vinci, mostly because of egregious amateur errors the master would never make. However, many of these errors and the overall fluffy, cream-puff aura the current incarnation of…
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Is the Salvator Mundi really by Leonardo da Vinci? Did the restoration botch it horribly? I argue the latter is absolutely true, and the former probable. I graphically show where the restoration took some liberties that clearly illustrate a divergence from the original painting, in which case the end result is anything but a da…
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If you were wondering what a digital artist like me thinks of Beeple, and his $69 million sale at Christies of a JPEG he most likely used an algorithm to produce in a matter of seconds, this video should make that apparent. Meanwhile an all-time least favorite, Damien Hirst has announced plans to overtake Beeple…
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Is the Salvator Mundi really a painting by Leonardo da Vinci? Why are Christ’s eyes so wonky? Who broke the nose of Jesus? And why are there so many amateur mistakes? The painting doesn’t appear good enough to be by the great artist, but there’s a surprise revelation.
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After jettisoning the news for 3 weeks, I’ve started a YouTube channel and produced 1.5 videos.
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My fledgling video about art for my YouTube channel.
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My new YouTube channel has arrived!
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Goya’s infamous nude “Maja” has some problems.
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Why politics are the enemy of art.
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This little guy isn’t up to the standards of my other recent sculpts, but the takeaway of the exercise was training at retopology, using alpha images to create textures, and how this can affect a form in animation. If it sounds complicated, probably because it is, a bit. And I know far too much about…
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My dastardly fan art digital painting of Sonic and Amy is featured is a video by the official Sonamy people.
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Art & Crit by Eric Wayne 
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