We live in a time of extraordinary moralizing. You may have noticed a no-holds-barred competition to see who is the most morally pure, and who isn’t, either by birthright or by belief. There’s always some of that going on. When I was growing up it issued from the religious right. Nancy Reagan famously advised to…
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And that’s about as far as I could take her. if you’ve followed the development of this piece on my blog you know it was an exercise in technique, and based loosely on a tutorial. It’s evolved into something a bit more, and I’d consider it part of my portfolio. Along the way I discovered…
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I’m not that big of a fan of photo-bashing. That’s a technique where you take photos and superimpose them on your digital painting in order to achieve textural effects. It can be a cheap cheat that looks cheesy, or it can be a sophisticated process that when done right can really add something. Here I’ve…
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She’s coming along. Since my last post I’ve painted some large branches in the middle background, and some lighting and shading. There’s lots more to do, including adding texture to the branches to make them more convincing. Near the end I paint over whatever I want, and however I want, but right now I’m working…
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It’s a bit muted right now because I haven’t added any lighting or shading. There’s only a line drawing, with flat color under it. I made it more complex by varying the colors of the sticks that make up our stick figure. That helps to delineate which sticks or branches are which. Incidentally, the ability…
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This is another exercise in lighting, shading, modeling, anatomy, perspective, work-flow, and when working from the imagination. I also intended it as a work of art, but working within certain parameters, and with a given objective in mind. My followers know I like to compare digital painting to MMA, in which case in order to…
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Quietly, and virtually unrecognized by the art world at large, there’s a renaissance of figurative artwork being created on the computer. Rather unexpectedly, digital painting has revitalized the practice of traditional drawing and painting skills. It’s a bit like how people started writing letters again after the arrival of email, and subsequent to letter writing…
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This started out as an exercise in lighting, shading, and workflow, but it ended up being an artwork I’m proud of. A lot of the techniques and procedures I employed I got from a digital painting course by veteran Disney animator, Aaron Blaise. The initial drawing and the character design are all my own. If…
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The eyes have been really difficult. I changed the colors, the shape, added veins, a highlight, and ridges on the bottom lids. What makes them so hard is largely the ornate bat nose which bisects one eye. I want partially obscured eye’s pupil to show, but getting it to line up with the other eye…
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The rim lighting is difficult for me, and almost seems perfunctory. It’s a sort of cheap trick often used in comics. But it is also a really effective way to articulate form in shadow, which works for this sort of subject. Note that I’m not an expert at this, I’m learning it as an exercise,…
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This stage is all Photoshop. I’d almost consider it cheating if it weren’t such a pain in the ass to pull off; if I weren’t going to paint over it; if I hadn’t done everything by hand under it; and if this weren’t an exercise using professional digital painting for illustration techniques. Here, one has…
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The much more clever way to do shading is to make a 3D model, and then move the light around to find the perfect angle. But doing it the clumsy, old fashioned way is good practice, and this piece is just about honing my skills. The shading made the bat lady more 3D, but it…
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Think I’m gonna’ go for blue skin with pink details, yellow-orange irises, and a dark red/purple ball of the eye. It’s a bit saturated right now, but after I add modeling, lighting, shading, and texture, it should be pretty cool. The gif animation has nothing to do with it. It’s just a snappy way of…
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SFAU #33 was based on #30, as you can see in this morph. I’m hoping sharing morph pairs helps people get into the series, though usually I’ll share them on IG rather than here. Just a little thing I can do to help people get into my work. That’s all. Unless you’re interested in some…
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I’m working on developing a bat-person for the next of my more illustrational images, like my Ant Man. Normally, at least up until recently, I’d only do one drawing, and just have at it until I was finished. There’d be tons of editing, tweaking it out, and learning from mistakes, trial and error. But I’d…
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Poor Mr. Bat. This was intended as a quick experiment in my ongoing exploration of digital impasto. To my knowledge I have the unique, and completely unrecognized distinction of being a pioneer in achieving digital impasto effects. I’ve used several different programs and combinations thereof to accomplish the results, and it’s usually not in a…
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Finally completed, and it was as much of a battle creating him as he looks like he’s a veteran of. I used lots of new techniques which I’ve learned from professional illustrators, and incorporated into my own arsenal of digital and painting techniques. This is as far as I could take the image with my…
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#21 – Dr. Cataract #21 is the twenty-fifth portrait in a series of 31 self-portraits as other versions of myself in different lives. This one took a sci-fi direction. The result is a unique, surrealist, sci-fi, mutrant man, perhaps a victim of his own medical or scientific experiments gone awry. I made this one shortly…
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More thoughts after days of ruminating on this topic, and various challenges to my arguments on my blog and elsewhere. Note that if you disagree with me, or have in the past, that’s perfectly fine. I’m more interested in understanding reality than I am in being right. If I were to suddenly switch my pro-free…
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What a difference rim lighting can make in a hyper-realist image. This is the first time I’ve really attempted this technique, and it took a lot of tinkering to get a result I was satisfied with. Rim lighting is a technique illustrators and other artists borrow from cinema. You have your main light source —…
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#22 – The End Came Swiftly A sci-fi digital impasto painting reinterpreting the end of The War of the Worlds, when the Martian ships fall because of exposure to the bacteria in the Earth’s atmosphere. The image falls between representation, traditional oil painting, and abstraction. The atmosphere, textures, composition, and feel are more important…
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In the continued creation of a hyper-realistic monster, I reached the stage where one overlays textures onto the body. For my fellow Photoshop nerds, you take a picture of a texture, put it on its own layer, lower the opacity to around 30%, and tweak out the exposure so the texture looks like it’s on…
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It’s over 10 days since my last update on this piece in progress, and it might not look like it’s that different, but I logged in over 20 hours of work on small changes. The deal is that I’m improving my skills at realism while executing this, so there are areas I keep working over…
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Some people make their digital paintings in very logical stages. That has tended to not be me, except on some occasion. I’m, or have been, much more the artist that just starts experimenting, sees what happens, and rides the wave in. But, uh, to get to some next level shit, sometimes an artist has to…
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Can you guess which one is my version? Have a look, and you can find out if you were right down below. If you don’t know already, I have a contemporary art / fine art background, and have been making digital art starting around 20 years ago. I’ve given up on the contemporary art world,…
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In digital imaging, there’s always a way. All the rain drops in the pic above are fakes, courtesy of yours truly. I could have been more persnickity about it, but this was for a tutorital. I tried to figure this out last night, but there was a sticking point I couldn’t get past. After sleeping…
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If you know how to use brushes in Photoshop, this one’s ready to go. It’s just something I stumbled on while experimenting with all the different options and capacities of Photoshop’s extremely powerful brush machine. Making custom brushes is now part of my arsenal of available techniques, and it’s phenomenal what you can do with…
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Some of you know I’ve been doing a lot of study over the last several months, and now it’s paying off. I’m working on portrait #32 in my SFAU series, and I decided to put in an earring from a photo. [Decided to do another portrait to practice some of the techniques I’ve learned.] There…
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