And then, once you have your file with 300 layers and texts, not only can you change all of the fonts at once, you can also crop it and enlarge the result without losing detail (because it’s vector text). I additionally tweaked the colors and moved around layers to improve the composition. Reminds me a…Read More
I know what you’re thinking. It looks like robot vomit, or the cat got into the yarn basket, and we’re seeing it through frosted glass smeared with ketchup and mustard. Close enough, because it barely holds together, and I’m not sure myself if I like it or not. It is the last in the EXPERIMENTAL…Read More
new art: 99 curses on the 1%
A conceptual piece (the third in a series) in which I establish certain rules and random elements, and then follow through the process. There are 99 curses against the 1%, but they are all in Wingdings font, which is made up of symbols, in which case they can’t be read. I would write a curse,…Read More
Angelic Belligerent (digital Pollock)
A conceptual digital work with 281 fonts, 281 words, and 281 layers. I used every font I have. For each layer in Photoshop, I choose a word off the top of my head, and each is assigned a font according to whichever is next in the list, and size and transparency through randomly generated numbers.…Read More
122 names, colors & fonts.
This is a light experimental piece I thought up, so I went ahead and did it The piece has 122 different colors, 122 different fonts, and 122 names of famous people (well, 121 + I threw myself in there for fun). Guess what it’s called? 122. Why 122 variations? That’s how many different colors there…Read More