Note: this post is a duplicate of the newly, long overdue revamping of my “new art” page, but you can also go directly to the page . The new version is simplified and updated (there are over 150 pieces), and there are blog posts devoted to all but a handful of my oldest pieces that…
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Poor Mr. Bat. This was intended as a quick experiment in my ongoing exploration of digital impasto. To my knowledge I have the unique, and completely unrecognized distinction of being a pioneer in achieving digital impasto effects. I’ve used several different programs and combinations thereof to accomplish the results, and it’s usually not in a…
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One of the oldest techniques I use to invent imagery is to just make a bunch of marks and see what I see. I sometimes make a bunch of thumbnail sketches, and then choose whichever one inspires me at the moment. I made about a dozen thumbs before making my most recent piece (above right…
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If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.), then edited and painted using various programs. None of the people actually exist, and thus they are like self portraits from alternate universes. This…
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I’ve been picking away at this one for a while, abandoned it a couple times, and finally finished it. It was more difficult than my prior piece for this series (below), and the main difference is just that I used a smoother brush. The smoother brush is more technical and demanding in terms of rendering…
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Maybe Egon Schiele was a bad egg, and maybe not. Maybe I watched too many Frankenstein movies as a kid, because whenever people get out the torches and pitchforks I find myself sympathizing with the “monster”. What if he’s just misunderstood? I tend to think it’s better to be the person weighing the stone in…
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Because I find some of the most striking visual art when prowling through people’s Instagram posts. @trude_viken Trude Viken is an artist I discovered while searching #contemporaryart, and is a perfect example of why I am sharing Instagram posts. Normally we get our art filtered through art publications and critics. It comes with the stamp…
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It’s a bit of a miracle folks. I haven’t added to this series since November 7th, and I haven’t been able to make art for about 2 months. I gave away my monitor when I moved home to America. I couldn’t stay in the U.S. because of some unforeseen circumstances, so moved (back) to Thailand.…
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Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling.~ Alfred Kubin (upon seeing prints by Max Klinger). If this work from 1903 doesn’t seem really weird to you, and in a good way, with its bizarre crab fishing babies out of…
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My Early Work is Saved There are many reasons being an artist is rough, or as we artists might say to ourselves at times “sucks”. 90% of art majors do not continue on to art careers (according to an article in The Atlantic), and I would guess that among visual artists that number is even…
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For my next exciting act I’m going to attempt to make this into a color, digital painting. I’ll save the commentary until then. For now the image can stand on its own. Be back soon with another baboon: ~ Eric Funding. Through Patreon, you can give $1 (or more) per month to help keep me…
Read MoreVideo may be the best way to share my art, because I can include close ups and pans and give it some music. For this one I used Camtasia, which is better for recording what you see on your monitor (useful for tutorials and such), but not so good with the specific things I was…
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The new technique, as you can plainly see above, is how to go from a rough B&W image into a painterly, color one, without losing the roughness or drama of the original. I won’t go into the details of how it’s done, which is kinda’ a secret anyway, but it uses a combo of Photoshop…
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If you are thinking something along the lines of, “Why the hell would anyone draw THAT in 2017?”, than I think you’ve answered your own question. Precisely. Why do something anyone else would do? And no I’m not religious or anti-religious. Please notice: The alien and its hand on the woman’s head. The whole snake.…
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Yup, this is #45 of images all made from my imagination, and unpremeditated. And this means there’s a lot of subconscious influence. I don’t know that I would have deliberately thought of that weird, striped creature, who is striped or entwined by snaky coils, depending on how you look at it. It’s also bending forward,…
Read MoreI did this in one shot, and just used my laptop microphone, so the sound quality is not as good as I’ve done in the past. But I cover the main points, and there are some good ones in there. And now I want you to look at this shit: Occasionally I get somewhat dejected…
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This one merits some explanation, but I’m working on a video that handles that better than writing about it, because I can zoom in and out, and highlight areas I want to discuss. In the mean time, better to access it through the eyes than via verbal/written language, in the same way it’s better to…
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Look if you dare. Do the typical swipe before even blinking once. But beware if you linger. This is one of my darker pieces, dredged up from the subconscious. If you stare at it you start to get sucked in and images will suddenly appear. The more you look, the deeper it gets. There is…
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Dear Readers: Here’s my latest creation, and I’m having so much fun with this style. It’s a way of working I started decades ago, but which was beaten out of me, metaphorically speaking, in art school. If I were in art school today I don’t think I could get away with churning out this sort…
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Don’t worry my discerning fans, the title is humorous. I don’t think we descended from an alien/ape hybrid. Well, not, y’know, like an alien named Enlil, who was an Ananyaki space commander from planet Nibiru, came and inseminated a bunch of chimps in order to create a hybrid slave force to dig for gold. I…
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This is #40 in this series so far, and the 9th in which I’m using the same basic technique. I have a very hard time working in a single, definitive style, mostly because one of my primary objectives is exploration, as opposed to the much more popular and practical approach, which is to produce a…
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As I finished up details on this image I was listening to news. And I’ve been trying to listen to news that I don’t agree with, in order to make sure I’m hearing both sides, or rather multiple sides of issues. And the more I do this the more clear it becomes that various groups…
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There are some barely visible images in there. You may even find things in there that I don’t see. Here’s all 37 pieces in the series so far in a slide show. Or, if you prefer, you can see them in a click-through gallery: To see other posts about other pieces in this series, go…
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Notice the man looks like he’s carved out of wood and that if you look in the fire you will see things yourself. There’s an obvious scary head in there, for starters. Just wanted to mess around with a sort of charcoal-looking drawing technique, which brings me right back to my charcoal drawings from the…
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This is a sketch of an alien head for a new series I’m starting. I’m planning all aliens for the next few months. We’ll have to see if I stick with it. The series is unified around the topic, not the medium or style, so allows for stylistic variety. There’s a lot more to it…
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In this image I just went about it by making lines in black and white and goring over them and seeing what emerged, but keeping in ambiguous and not trying to make it into anything concrete. The foreground and background shift, and there are overlapping and intersecting parts. If you look at it for a…
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The previous 4 pieces I did were digital impasto, and incorporating some 3D modeling. For a little break I decided to do something only using drawing. For this kind of drawing, of which I’ve done several in this series, I just use one brush in Photoshop, and I switch between black and white. It allows…
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This is a bit of a new direction I’m exploring in the last several pieces. It’s pushing my imagery from my usual digital impasto into full-on bas relief with digital impasto. This one started as a 3D model, which you would have seen if you follow me on Facebook. Here’s some early work on the…
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Art & Crit by Eric Wayne 
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