The third in the series, and I sat on this one for a long time. There were some technical difficulties towards the end, such as in making the monster’s appendages persuasively symmetrical (working anatomically and compositionally). If I share an earlier version, you’ll understand why. Below you can see I’d drawn in a couple appendages…
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This kind of piece stands on its own, needs no placard, no description, no interpretation, no translation, no perusing a CV, no background or context, and no assaying the significance of the biology of the artist. The only reason to read any further is if you are curious to know more. Sometimes it seems like…
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It’s just a wee bit odd to propose this as the first in a new series, as this is a core example of the type of art I do going back decades, including the technique (though I used to do this in charcoal). Let me just dredge up one of those real quick. The reason…
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