If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app FaceApp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
Read More
[This is a re-post of an article from two-years ago which I’d forgotten I’d written, but rediscovered while looking for one of the images in it. I defend the notion of the spiritual in art in a hardball, rational and reasoned, fashion with no reliance on superstition, religion, or any variety of feel-good, wish-washy, wishful…
Read More
If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app FaceApp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
Read More
SFAU #33 was based on #30, as you can see in this morph. I’m hoping sharing morph pairs helps people get into the series, though usually I’ll share them on IG rather than here. Just a little thing I can do to help people get into my work. That’s all. Unless you’re interested in some…
Read More
If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app FaceApp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
Read More
An examination of Michael Kerbow’s dinosaur paintings in his “Late Capitalism” series.
Read More
If you are new to this series all the images are based on recent photos of me after basically being fed through a neural network (which can change age, gender, etc.) — the popular app Faceapp — then edited and painted using various programs. None of the people actually exist, and thus they are like…
Read More
I’m not accepted as a blue-chip artist, and there’s every indication I never will be. ~ Robert Williams. The best thing about Robert Willams is his paintings, but he’s also a likable fellow if you aren’t predisposed to dislike his type as much as the blue-chip art world turns its nose up at his art.…
Read More
I am the least constant, most confused person outside my safe rectangle of canvas. Safe because it is mine, my world, my rules, my flat Earth. ~ Steven Beercock. Seeing his work is like finding your uncle’s paintings in a shed; then noticing how weird they are and how eccentric he is; and then slowly…
Read More
In my last post I shared a method for brainstorming ideas for creatures, and my theme was bat people. I’d made 9 thumbnail sketches, which you can see again below. I combined these to make 7 new variants, and then narrowed it down to the following four: I’d decided that the bat people I saw…
Read More
I’m working on developing a bat-person for the next of my more illustrational images, like my Ant Man. Normally, at least up until recently, I’d only do one drawing, and just have at it until I was finished. There’d be tons of editing, tweaking it out, and learning from mistakes, trial and error. But I’d…
Read More
Poor Mr. Bat. This was intended as a quick experiment in my ongoing exploration of digital impasto. To my knowledge I have the unique, and completely unrecognized distinction of being a pioneer in achieving digital impasto effects. I’ve used several different programs and combinations thereof to accomplish the results, and it’s usually not in a…
Read More
Finally completed, and it was as much of a battle creating him as he looks like he’s a veteran of. I used lots of new techniques which I’ve learned from professional illustrators, and incorporated into my own arsenal of digital and painting techniques. This is as far as I could take the image with my…
Read More
#21 – Dr. Cataract #21 is the twenty-fifth portrait in a series of 31 self-portraits as other versions of myself in different lives. This one took a sci-fi direction. The result is a unique, surrealist, sci-fi, mutrant man, perhaps a victim of his own medical or scientific experiments gone awry. I made this one shortly…
Read More
What a difference rim lighting can make in a hyper-realist image. This is the first time I’ve really attempted this technique, and it took a lot of tinkering to get a result I was satisfied with. Rim lighting is a technique illustrators and other artists borrow from cinema. You have your main light source —…
Read More
#22 – The End Came Swiftly A sci-fi digital impasto painting reinterpreting the end of The War of the Worlds, when the Martian ships fall because of exposure to the bacteria in the Earth’s atmosphere. The image falls between representation, traditional oil painting, and abstraction. The atmosphere, textures, composition, and feel are more important…
Read More
In the continued creation of a hyper-realistic monster, I reached the stage where one overlays textures onto the body. For my fellow Photoshop nerds, you take a picture of a texture, put it on its own layer, lower the opacity to around 30%, and tweak out the exposure so the texture looks like it’s on…
Read More
It’s over 10 days since my last update on this piece in progress, and it might not look like it’s that different, but I logged in over 20 hours of work on small changes. The deal is that I’m improving my skills at realism while executing this, so there are areas I keep working over…
Read More
Here he is again, and more rounded out. The initial line drawing (see below) has completely disappeared, and now all the shapes are defined via shading. I made his flesh more uniformly grey green, and I’m liking the deeper orange for the irises (the eyes are definitely not done). I’m NOT done with shading, highlights,…
Read More
Some people make their digital paintings in very logical stages. That has tended to not be me, except on some occasion. I’m, or have been, much more the artist that just starts experimenting, sees what happens, and rides the wave in. But, uh, to get to some next level shit, sometimes an artist has to…
Read More
Broad Outlines This is intended as a useful device for a very general categorization of visual-based art. The idea is to simplify something that is already hopelessly convoluted. There are inevitably grotesque omissions, outstanding hybrids, uncategorizable outliers, and genres I don’t address (such as folk art, outsider art, and comics…). But it’s worth thinking about…
Read More
In digital imaging, there’s always a way. All the rain drops in the pic above are fakes, courtesy of yours truly. I could have been more persnickity about it, but this was for a tutorital. I tried to figure this out last night, but there was a sticking point I couldn’t get past. After sleeping…
Read More
If you know how to use brushes in Photoshop, this one’s ready to go. It’s just something I stumbled on while experimenting with all the different options and capacities of Photoshop’s extremely powerful brush machine. Making custom brushes is now part of my arsenal of available techniques, and it’s phenomenal what you can do with…
Read More
On this day in 1888, which is 130 years ago, Vincent Van Gogh cut of a piece of his right ear in a bout of anguish brought on by his fight with Paul Gauguin, who was leaving Arles and their shared yellow house. Earlier in the evening Gauguin had threatened Vincent with a saber, and…
Read More
To see more about this series, go to this explanatory post. Of course I put the artist and the text around the banana. Are you getting bored by being shocked by just how boring shocking art is? If so, this series is for you. The least we can ask of shocking, revolutionary art is that…
Read More
“The paintings I created were intended for my eyes only. I felt I couldn’t exhibit them because they were so visceral, horrifying, and disturbing. I knew that I would be stigmatized.” ~ Suzzan Blac. A Savage Painting “During my teens, teachers would berate me for my ‘dark’ drawings and persuade me to draw ‘pretty’ things.”…
Read More
I used to work in the marketing department of a computer memory company. One day on the sales floor a giant banner appeared that read, “HAVE THE KILLER INSTINCT!” I had an idea what that meant, and it had something to do with knowing when to close a deal. But the metaphor was horrible. I…
Read More
These are just curiosities for entertainment, folks. You aren’t meant to assess them as serious works. They’re my kid stuff! When I was growing up my favorite things were sci-fi shows I could see on TV, frogs and lizards, and drawing (not to mention girls). Fortunately, I had the foresight to document most my early…
Read More
Recent Comments